Knipselkrant Curacao is een multimediaal forum dat op een objectieve en eigentijdse wijze nieuws, actualiteiten, discussies, archief en achtergrondinformatie aanbiedt. Meer over KKC zelf vindt u hier. Meer KKC achtergrond leest u op Nardy's Notes.
Our editors will review what you’ve submitted and determine whether to revise the article.
JoinCHARLIE CHAPLIN, the LITTLE TRAMP, certain images on this web site, and the names of some of Mr. Chaplin's films are trademarks and/or service marks of Roy Export. Idem- Charlie Chaplin. HIER kan je deze prachtige tekst horen die voorgedragen is door Rinus van Warven. Vertrouwen, Wijsheid, Acceptatie, Inzicht, Liefde voor.
Britannica's Publishing Partner Program and our community of experts to gain a global audience for your work!
Charlie Chaplin, byname of Sir Charles Spencer Chaplin, (born April 16, 1889, London, England—died December 25, 1977, Corsier-sur-Vevey, Switzerland), British comedian, producer, writer, director, and composer who is widely regarded as the greatest comic artist of the screen and one of the most important figures in motion-picture history.
Why is Charlie Chaplin important?
Comedian, actor, producer, writer, and director Charlie Chaplin is widely regarded as the greatest comic artist of the screen and one of the most important figures in motion-picture history. In 1972 he received a special Academy Award for “the incalculable effect he has had on making motion pictures the art form of this century.”
What is Charlie Chaplin remembered for?
Charlie Chaplin is best remembered for his recurring silent film character “the Little Tramp.” Outfitted in a too-small coat, too-large pants, floppy shoes, and a battered derby, Tramp was shunned by polite society and unlucky in love but ever a survivor. Audiences loved his cheekiness, his deflation of pomposity, his unexpected gallantry, and his resilience.
What were Charlie Chaplin’s achievements?
Charlie Chaplin starred in, wrote, and directed some of most memorable films in motion-picture history, including The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), The Great Dictator (1940), for which he was nominated for an Academy Award as best actor, Monsieur Verdoux (1947), and Limelight (1952).
What was Charlie Chaplin’s childhood like?
Charlie Chaplin’s father, a British music hall entertainer, and mother, singer Hannah Hall, separated, and Chaplin spent his early childhood with his mother. When the mentally unstable Hall was later confined to an asylum, Chaplin and his half brother, Sydney, were sent to a series of workhouses and residential schools.
Where did Charlie Chaplin study?
Charlie Chaplin learned to perform onstage, debuting at age five (filling in for his mother) and becoming a professional entertainer at age eight as a clog dancer. He also had a stint with the vaudeville act Casey’s Court Circus. In 1908 he joined the Fred Karno pantomime troupe and quickly rose to star status.
Early life and career
Chaplin was named after his father, a British music-hall entertainer. He spent his early childhood with his mother, the singer Hannah Hall, after she and his father separated, and he made his own stage debut at age five, filling in for his mother. The mentally unstable Hall was later confined to an asylum. Charlie and his half brother Sydney were sent to a series of bleak workhouses and residential schools.
Using his mother’s show-business contacts, Charlie became a professional entertainer in 1897 when he joined the Eight Lancashire Lads, a clog-dancing act. His subsequent stage credits include a small role in William Gillette’s Sherlock Holmes (1899) and a stint with the vaudeville act Casey’s Court Circus. In 1908 he joined the Fred Karno pantomime troupe, quickly rising to star status as The Drunk in the ensemble sketch A Night in an English Music Hall.
While touring America with the Karno company in 1913, Chaplin was signed to appear in Mack Sennett’s Keystone comedy films. Though his first Keystone one-reeler, Making a Living (1914), was not the failure that historians have claimed, Chaplin’s initial screen character, a mercenary dandy, did not show him to best advantage. Ordered by Sennett to come up with a more-workable screen image, Chaplin improvised an outfit consisting of a too-small coat, too-large pants, floppy shoes, and a battered derby. As a finishing touch, he pasted on a postage-stamp mustache and adopted a cane as an all-purpose prop. It was in his second Keystone film, Kid Auto Races at Venice (1914), that Chaplin’s immortal screen alter ego, “the Little Tramp,” was born.
Voorbeelden Charlie Chaplin Multimediaal Charlie Chaplin
In truth, Chaplin did not always portray a tramp; in many of his films his character was employed as a waiter, store clerk, stagehand, fireman, and the like. His character might be better described as the quintessential misfit—shunned by polite society, unlucky in love, jack-of-all-trades but master of none. He was also a survivor, forever leaving past sorrows behind, jauntily shuffling off to new adventures. The Tramp’s appeal was universal: audiences loved his cheekiness, his deflation of pomposity, his casual savagery, his unexpected gallantry, and his resilience in the face of adversity. Some historians have traced the Tramp’s origins to Chaplin’s Dickensian childhood, while others have suggested that the character had its roots in the motto of Chaplin’s mentor, Fred Karno: “Keep it wistful, gentlemen, keep it wistful.” Whatever the case, within months after his movie debut, Chaplin was the screen’s biggest star.
His 35 Keystone comedies can be regarded as the Tramp’s gestation period, during which a caricature became a character. The films improved steadily once Chaplin became his own director. In 1915 he left Sennett to accept a $1,250-weekly contract at Essanay Studios. It was there that he began to inject elements of pathos into his comedy, notably in such shorts as The Tramp (1915) and Burlesque on Carmen (1915). He moved on to an even more lucrative job ($670,000 per year) at the Mutual Company Film Corporation. There, during an 18-month period, he made the 12 two-reelers that many regard as his finest films, among them such gems as One A.M. (1916), The Rink (1916), The Vagabond (1916), and Easy Street (1917). It was then, in 1917, that Chaplin found himself attacked for the first (though hardly the last) time by the press. He was criticized for not enlisting to fight in World War I. To aid the war effort, Chaplin raised funds for the troops via bond drives.
In 1918 Chaplin jumped studios again, accepting a $1 million offer from the First National Film Corporation for eight shorts. That same year he married 16-year-old film extra Mildred Harris—the first in a procession of child brides. For his new studio he made shorts such as Shoulder Arms (1918) and The Pilgrim (1923) and his first starring feature, The Kid (1921), which starred the irresistible Jackie Coogan as the kid befriended and aided by the Little Tramp. Some have suggested that the increased dramatic content of those films is symptomatic of Chaplin’s efforts to justify the praise lavished upon him by the critical intelligentsia. A painstaking perfectionist, he began spending more and more time on the preparation and production of each film. In his personal life too, Chaplin was particular. Having divorced Mildred in 1921, Chaplin married in 1924 16-year-old Lillita MacMurray, who shortly would become known to the world as film star Lita Grey. (They would be noisily divorced in 1927.)
From 1923 through 1929 Chaplin made only three features: A Woman of Paris (1923), which he directed but did not star in (and his only drama); The Gold Rush (1925), widely regarded as his masterpiece; and The Circus (1928), an underrated film that may rank as his funniest. All three were released by United Artists, the company cofounded in 1919 by Chaplin, husband-and-wife superstars Douglas Fairbanks and Mary Pickford, and director D.W. Griffith. Of the three films, The Gold Rush is one of the most-memorable films of the silent era. Chaplin placed the Little Tramp in the epic setting of the Yukon, amid bears, snowstorms, and a fearsome prospector (Mack Swain); his love interest was a beautiful dance-hall queen (Georgia Hale). The scene in which the Tramp must eat his shoe to stay alive epitomizes the film’s blend of rich comedy and well-earned pathos.
- born
- April 16, 1889
London, England
- died
- December 25, 1977 (aged 88)
Corsier-sur-Vevey, Switzerland
Paulette Goddard
- knight (1975)
- notable works
- Academy Award (1973)
- Academy Award (1972)
- Honorary Oscar (1972)
- Academy Award (1928)
- founder of
- related facts and data